Use the TL
Audio Fat Track to capture your recordings with premium TL Audio
tube preamps and 3 band swept EQ, or use for mix down and summing
with up to 4 stereo and 2 mono returns.
Fully featured master and monitor section with alternative loudspeaker
mode, 2 headphone outputs with level control, effects return, balanced
insert on stereo bus and channels, tape out, and I/O switchable between
+4 / -10.
$1250 rp Our Price $CALL
Fat' is a great sounding mono tube front end for the home
or project studio. The '2 Fat' boasts a mic and instrument preamp
plus a compressor with 15 quality factory presets including five
vocal programs and a wide range of instrument settings as well
as manual controls. Each setting has been carefully put together
to give you great sounding presets that really work, at the touch
of a dial. It even features a 'Fat EQ' button to really fatten
up and enhance your sound.
$1759 rp Our Price $CALL
Audio 5001 preamp offers four top quality valve mic preamps
in a single 2U package, and now boasts extra features including
preamp stage, 30dB pad, instrument DI inputs, improved metering
and optional 24 bit digital output. The 5001s combination
of sound and facilities is guaranteed to bring out the best
microphone - from a low cost dynamic to a vintage large capsule
$1759 rp Our Price $CALL
single channel voice processor format has become
the accepted way
of getting the most out of any sound source. The TL
Audio 5051 provides the perfect front end for any system by
offering a combined preamp, compressor, equaliser and noise gate
all in one easy-to-use
package: now with an optional digital output.
$1759 rp Our Price $CALL
is simply no equaliser in this price bracket to touch it: and now the
Audio 5013 features a peaking/shelving option on
both LF and HF bands plus a ‘Fat’ contour switch on both
channels. Like all TL Audio equipment, the interfacing options couldn't
be more flexible - separate input and output level controls allow easy
level matching with any other equipment, and a choice of balanced and
unbalanced line inputs/outputs plus instrument DI inputs means you
can get yourself up and running in seconds.
$1759 rp Our Price $CALL
Audio Ivory 5021 provides everything you would expect
from a TL Audio compressor - first class audio quality, bags of flexibility
price tag so modest you'd be forgiven for thinking it was a printing
error! Now the new 5021 features hard and soft knee modes, four attack
and release times, an improved optical gate design and an optional
digital output. Like the C-1 compressor, the 5021 uses our own special
transconductance amplifier design that avoids the use of VCAs - ensuring
maximum audio transparency.
$4225 rp Our Price $CALL
Audio 5052 provides everything you would expect from a high quality ‘channel
strip’ product, and then doubles it - making it the ideal
system front end and the perfect stereo mixdown and mastering device.
While most channel strip products provide a single mono channel
made up of preamp, dynamics and EQ stages, the 5052 provides two
channels of each with independent stereo linking of the compressor,
EQ and limiter sections. Recording a mono or stereo source to multitrack
through the 5052 becomes simplicity itself, yet when it comes to
mixdown the 5052 comes into its own by offering full stereo linked
EQ and dynamics - allowing unparalleled processing of the stereo
buss while mixing.
$1399 rp Our Price $CALL
Using the same
high quality discrete microphone preamp as other Ivory 2 products
Audio 5060 also
has stereo line level or stereo
instrument inputs. The 5060 is equally versatile as a “front-end” tracking
device or as the final stage mixdown or mastering compressor. One
set of controls operates both the channels for quick and easy setup.
The compressor section has 15 expertly programmed presets designed
to work with a typical selection of vocal and instrumental sources
as well as a manual mode for self adjustment of the compressor.
The output section includes a “Fat EQ” switch for adding
some “presence” or “weight” to your signal.
$1149 rp Our Price $CALL
Audio Ivory 5050 came directly from user requests
for a simple yet great sounding valve front end and boasts the
of a mic/line/instrument preamp and mono compressor: making it
the most cost-effective way of processing your sources. The new
5050 now features extras including a 30dB pad, hard/soft knee compression
modes, a fully balanced line output and an optional digital output.
The 5050 features two valve stages, one in the preamp circuit,
one in the gain control element of the compressor.These Sovtek
valve stages are run from a stabilised 150V DC power supply.
So whether it's your best microphone, your vintage Strat or your
latest sample, don't trust it with anything less than the TL Audio
$5275 rp Our Price $CALL
The new TL
Audio VP-1 is the latest addition to the Valve Classics range, and combines
all the best elements of the PA-1 pentode preamp,
C-1 compressor and EQ-2 parametric equaliser to create a truly
flexible and spectacular sounding valve front end for any audio
The VP-1 features seven valve stages, run from a stabilised 250v
DC supply. The first stage is a Siemens EF86 pentode in the front
end of the preamp, followed by six Sovtek ECC83/12AX7A stages -
one in the secondary stage of the preamp, one in the compressor
and four in the EQ section.
$3499 rp Our Price $CALL
Audio EQ-2 boasts two channels of fully parametric 4 band valve equalisation
in conjunction with variable high and low cut filters offers
unlimited control of any audio source. But that's not all - unlike
many valve equalisers, the EQ-2 provides continuously variable
frequency controls, so choice of frequency is not limited to switched
selections. It also features a pair of the acclaimed TL Audio mic
preamps (with phantom power), to enable high quality direct-to-tape
microphone recording, and a pair of front panel auxiliary inputs
enable a guitar or keyboard to directly access the EQ-2.
$3499 rp Our Price $CALL
Audio C-1 features a low noise solid state preamp followed
by two valve stages per channel. The
valves are General Electric ECC83/12AX7A types, run from a stabilised
250v DC power supply. The first valve stage acts as a voltage amp,
with the second stage forming part of the gain control element. The
gain control is performed by TL Audio's own unique transconductance
stage which avoids the use of VCAs - thus improving transparency
distortion, which is virtually constant at 0.05% over the full bandwidth.
The frequency response of the C-1 is virtually flat between 20Hz
and 40kHz, and measured between -3dB points, the C-1's bandwidth
is a staggering 5Hz to 70kHz!
$2799 rp Our Price $CALL
Audio PA-1 Pentode Preamp is TL Audio's top of the range preamp
- producing a stunning sound
from any source - and offers a significant improvement over the vast
majority of console preamps in any price range. The new PA-1 offers
several improvements over its best selling forerunner, including
a raven blue 6mm CNC milled aluminium front panel, General Electric
US military specification ECC83/12AX7A valves, gold plated ceramic
valve bases and circular back-lit VU meters which monitor output
level. Internal circuitry has been refined too, to offer smoother
frequency response around the valve stages and provide extra output
gain - thus enabling easier interfacing with digital recorders.
M1 - 8 channel $7749 rp
M1 - 12 channel $10499 rp Our Price $CALL
Audio M1 enables you to capture that acclaimed warm, smooth and clean
TL Audio sound at the lowest price point ever achieved on one of their desks!
It is by no means compromised on quality to do this though. The M1 offers
you quality valve mic preamps on each channel, 3 band musical EQ with sweepable
mid on each channel, 2 auxillary sends per channel as well as effects returns
and alternate monitoring options!
M4 - 16 channel $17599 rp
M4 - 24 channel $21199 rp M4
- 32 channel $26399 rp Our Price $CALL
Audio M4 Tube Console is the perfect solution for the modern day studio.
Anyone who has used or heard the TL Audio outboard equipment, will be familiar
with its ability
a warm, smooth, and clean sound that can inject wonderful ‘feel’ into
The TL Audio acclaimed VTC console has also now been accepted as a great sounding
must have in the professional recording environment, with many high profile
The VTC (Valve
Technology Console) is a fully modular in-line multitrack mixer
that offers all the benefits of the compact 8 buss / multiple tape output format
but with the supreme advantage of TL Audio's critically acclaimed valve circuitry
- which forms an integral part of the channel, monitor, group and master section
signal paths. Available in configurations from 16 channels to 56 channels,
with optional bar graph meterbridge, the VTC combines the classic warmth of
valves with the functional demands of modern music production.
There are hundreds of consoles on the market. But none that sound, feel or
look like this one. The VTC simply has no competition!
TrakMaster Pro, a professional microphone preamplifier/compressor,
is the latest in Focusrite's Platinum Pro series and the company's
most affordable recording channel strip to date. Providing performance
specifications never before seen at this price point, TrakMaster
Pro features a mic preamp derived from Focusrite's award-winning
Green range, front panel DI, problem-solving mid-scoop EQ, intuitive
optical compression, latency-free monitoring, and the Platinum
Pro series ADC option.
$999 rp Our Price $CALL
TwinTrack Pro. Designed principally as an affordable, high-specification
device, TT Pro (as it's affectionately known)
also boasts comprehensive latency-free monitoring, unmatched digital
connectivity, and all within a sturdy 2U 19" rack-mount chassis.
Each channel features Focusrite's award-winning Platinum pre amp,
embellished with the option of instant 'air' and variable input
impedance for improved microphone performance and extended creativity.
A mid-scoop EQ follows, and provides variable frequency and depth
of cut for vocal problem solving and miked-up cabinet ambience
$2795 rp Our Price $CALL
The Platinum MixMaster is an analogue stereo audio processor
designed primarily for project studio mastering. However, with
many useful features in one box, anyone involved in the business
of making music will quickly find it indispensable at other stages
of the recording process too.
$999 rp Our Price $CALL
Voicemaster Pro award-winning Class A preamp captures
every nuance from any source, whilst latency-free monitoring ensures
direct and delay-free mix control. Tools such as the voice-optimised
EQ, Vintage Harmonics and Tube Sound allow you to get creative
with a touch of class, putting your own stamp on every recording.
All of this, combined with the optional 24 bit, 96 kHz digital
board means that VoiceMaster Pro is the perfect interface
between your microphone and your DAW or other recording media,
placing the ultimate tracking solution firmly within your grasp.
Dual Vacuum Tube Pre The Silver Series 386 dual channel
tube mic preamp puts the best of both worlds into one affordable
package by combining the warmth of the irreplaceable vacuum tube
with the proprietary dbx® Type IV conversion system.
The 386 boasts many of the same features as other products in
the Silver Series, such as +48V phantom power, a phase invert
switch, and low cut filtering; but also includes digital outputs
in both AES/EBU, and S/PDIF formats.
4 balanced microphone and line inputs via Neutrik XLR/TRS combo jacks.
Each channel contains switches for 48V phantom power,
a low cut filter, and phase reversal. Amplification can be set between
10 and 60 dB. LEDs for signal, clip, and activated phantom power complete
the list of features. The QuadMic offers a high-tech, state-of-the-art
design - exactly what 'Made in Germany' is famous for. And if you believe
that beauty lies within, take a look inside this outstanding unit,
and you'll wonder how something so impressive could cost so little.
Go ahead... look inside! You know you want to.
$6495 rp Our Price $CALL
24-Bit/192kHz 8-channel Full Range Preamp & AD Converter
The newly designed RME
Micstasy is a high-end analog input device
for any kind of application, ranging from live and studio up to installation
and no-compromise mobile recordings. The Micstasy defines a new generation
of microphone preamps and AD converters!
$1999 rp Our Price $CALL
OctaMic offers 8 balanced XLR mic / line inputs. Each channel
contains switches for 48V phantom power, a low cut filter and phase
Amplification can be set between 10 and 60 dB. LEDs for signal, clip,
and activated phantom power give a complete overview on the unit's
$2699 rp Our Price $CALL
The RME OctaMic
D includes the optional OctaMic ADC module, which can also
be added to the OctaMic basic version later on. The ADC module adds 8 channels
192 kHz AD-conversion, available as double ADAT output (S/MUX, up to 96 kHz),
and simultaneously via DB-25 connector as 4 AES outputs (up to 192 kHz). The
ADC can be clocked internally (master), and externally via word clock and AES
TubePRE is the highest quality vacuum tube preamp in
its class. Loaded with PreSonus award winning dual servo preamplifier,
TubePre affordably delivers low noise tube warmth for vocals, guitars,
bass guitars, synths and sound modules. The TubePre noticeably outperforms
preamps in low cost mixers and recording interfaces making it an
easy choice for anyone desiring to enhance their recordings with
the magic of tubes.
$429 rp Our Price $CALL
BlueTUBE - Finally,
a stereo tube preamplifier that fits everyones budget.
The BlueTUBE provides amazing results for vocals, keyboards, acoustic,
electric and bass guitars. The BlueTUBEs output flexibility
of both XLR and 1/4 TS jacks lets you send signals to both
your amp and console simultaneously. The BlueTUBE also allows you
to create a multitude of audio textures and characters by using
the variable tube-drive circuit.
$1250 rp Our Price $CALL
The PreSonus MP20 was designed to enhance the performance of any
console or digital audio workstation by providing two very high-end
preamplifiers. The MP20 affords you an amazing choice for the front-end
of any analog to digital converter. The MP20 was created utilizing
the very best in design parameters and components with a friendly
$1250 rp Our Price $CALL
Eureka is a professional recording channel strip containing a discrete class
microphone preamplifier, compressor, and
three-band parametric equalizer. The microphone preamplifier features
variable input impedance so that the Eureka can be matched and "tuned" for
all types of microphones and recording applications. The Class A transformer-coupled
microphone preamplifier also features "SATURATE" which adjusts
the drain current on the input FET amplifier to simulate of the effects
of tape saturation and tube "warmth".
$3995 rp Our Price $CALL
The PreSonus ADL
600 is a high voltage two-channel original
microphone preamplifier designed by world-renown analog tube circuit
Anthony DeMaria. The ADL 600 utilizes a unique high voltage, Class
A discrete design with three vacuum tubes per channel for maximum
headroom and tonality. The ADL 600 is built by hand in the USA
by PreSonus and utilizes the finest components in the world including
switched attenuators, military-grade vacuum tubes, analog VU and
LED meters, custom-designed proprietary transformers, and the list
goes on. No expenses are spared with the ADL 600 down to the last
polypropylene film capacitor. The ADL 600 is big, warm, smooth,
and clear; a sound like no other.
DI-PORT as a High-end Audio Card The DI-PORT’s
primary purpose is to provide an outboard home to all analog components
and AD/DA converters that normally reside in the interior of the
computer’s casing. Use it in conjunction with a digital I/O
card or the digital interfaces of quality soundcards, and you will
end up with a true high-end audio card.
Connect the digital output of the DI-PORT to the digital input
of your computer and the digital output of the computer to the
digital input of the DI-PORT. In this setup, the DI-PORT serves
as an outboard converter unit for your digital audio card.
$4499 rp Our Price $CALL
Today the secret of "expensive" sound no longer lies
in tape machines or costly mixing consoles. The key to unlocking
the secret of sophisticated sound and getting top-notch tone in the
can is translating all the intricacies of signals into the digital
world. And that, in a nutshell, is what the new MindPrint® DTC™ does.
The new SM
Valve" series TB101 valve
(12AX7) mic pre-amp is a single channel valve mic preamplifier
that features switchable
phantom power, phase reverse, -20dB Pad, optical compressor, and
fully functional EQ all housed together in a single 1/2U rack mount
$399 rp Our Price $CALL
The new SM Pro "Red Valve" series TB202 valve (12AX7) mic pre-amp
is a twin channel valve mic preamplifier that features independent switchable
phantom power, phase reverse, -20dB Pad, optical compressor, and fully functional
EQ all housed together in a single 1U rack mount chassis.
$299 rp Our Price $CALL
The new PR8-E multi-channel mic/line preamp is the vanguard of
the 'next-generation' in the SMPRO range. Using the latest components
available and redesigned from the ground up, the PR8-E's carefully
structured single circuit board design results is an exceptionally
low noise pre-amp boasting a very high gain structure.
$699 rp Our Price $CALL
The EP84 is the latest multi-channel microphone preamplifier from
SM Pro Audio. Packed with quality features and connectivity options,
this sturdy 2RU rack-mountable unit is designed to provide studio
users with 8 channels of pristine microphone preamplification.
The EP84 is the perfect front end for computer audio systems, stand-alone
hard disk recorders, or just about any other analog or digital
ADA8000 is a state-of-the art 8-channel A/D and D/A converter with
preamplifiers. This ultra-compact
19" unit gives you the opportunity to connect analog audio
signals directly to a multitrack recorder or similar equipment
via the integrated ADAT® interface—and needs only one
rack space for this purpose! In return, you can even connect the
digital signal of a multitracker via ADAT® to the eight analog
line outputs of your ADA8000.