Last Updated on Thu, 13-Dec-2012 10:30
  PREAMPS
Music Park Details

Address: 341 Albany Hwy
Victoria Park, WA
Phone: 08 9470 1020
Toll Free: 1800 633 143
Fax: 08 9470 1708
Enquiries
hitech@musicpark.com.au

Business Hours:
Mon-Fri: 9am - 5.30pm
Sat: 9am - 4pm

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TL AUDIO
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$POA rp
Our Price $CALL

Use the TL Audio Fat Track to capture your recordings with premium TL Audio tube preamps and 3 band swept EQ, or use for mix down and summing with up to 4 stereo and 2 mono returns.
Fully featured master and monitor section with alternative loudspeaker mode, 2 headphone outputs with level control, effects return, balanced insert on stereo bus and channels, tape out, and I/O switchable between +4 / -10.

$1250 rp
Our Price $CALL


The '2 Fat' is a great sounding mono tube front end for the home or project studio. The '2 Fat' boasts a mic and instrument preamp plus a compressor with 15 quality factory presets including five vocal programs and a wide range of instrument settings as well as manual controls. Each setting has been carefully put together to give you great sounding presets that really work, at the touch of a dial. It even features a 'Fat EQ' button to really fatten up and enhance your sound.


$1759 rp
Our Price $CALL


The TL Audio 5001 preamp offers four top quality valve mic preamps in a single 2U package, and now boasts extra features including a discrete mic preamp stage, 30dB pad, instrument DI inputs, improved metering and optional 24 bit digital output. The 5001’s combination of sound and facilities is guaranteed to bring out the best in any microphone - from a low cost dynamic to a vintage large capsule condenser.

$1759 rp
Our Price $CALL


The single channel voice processor format has become the accepted way of getting the most out of any sound source. The TL Audio 5051 provides the perfect front end for any system by offering a combined preamp, compressor, equaliser and noise gate all in one easy-to-use package: now with an optional digital output.

$1759 rp
Our Price $CALL
There is simply no equaliser in this price bracket to touch it: and now the TL Audio 5013 features a peaking/shelving option on both LF and HF bands plus a ‘Fat’ contour switch on both channels. Like all TL Audio equipment, the interfacing options couldn't be more flexible - separate input and output level controls allow easy level matching with any other equipment, and a choice of balanced and unbalanced line inputs/outputs plus instrument DI inputs means you can get yourself up and running in seconds.

$1759 rp
Our Price $CALL
The TL Audio Ivory 5021 provides everything you would expect from a TL Audio compressor - first class audio quality, bags of flexibility and a price tag so modest you'd be forgiven for thinking it was a printing error! Now the new 5021 features hard and soft knee modes, four attack and release times, an improved optical gate design and an optional digital output. Like the C-1 compressor, the 5021 uses our own special transconductance amplifier design that avoids the use of VCAs - ensuring maximum audio transparency.

$4225 rp
Our Price $CALL
The TL Audio 5052 provides everything you would expect from a high quality ‘channel strip’ product, and then doubles it - making it the ideal system front end and the perfect stereo mixdown and mastering device. While most channel strip products provide a single mono channel made up of preamp, dynamics and EQ stages, the 5052 provides two channels of each with independent stereo linking of the compressor, EQ and limiter sections. Recording a mono or stereo source to multitrack through the 5052 becomes simplicity itself, yet when it comes to mixdown the 5052 comes into its own by offering full stereo linked EQ and dynamics - allowing unparalleled processing of the stereo buss while mixing.

$1399 rp
Our Price $CALL
Using the same high quality discrete microphone preamp as other Ivory 2 products the TL Audio 5060 also has stereo line level or stereo instrument inputs. The 5060 is equally versatile as a “front-end” tracking device or as the final stage mixdown or mastering compressor. One set of controls operates both the channels for quick and easy setup. The compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The output section includes a “Fat EQ” switch for adding some “presence” or “weight” to your signal.

$1149 rp
Our Price $CALL
The TL Audio Ivory 5050 came directly from user requests for a simple yet great sounding valve front end and boasts the winning combination of a mic/line/instrument preamp and mono compressor: making it the most cost-effective way of processing your sources. The new 5050 now features extras including a 30dB pad, hard/soft knee compression modes, a fully balanced line output and an optional digital output. The 5050 features two valve stages, one in the preamp circuit, and one in the gain control element of the compressor.These Sovtek valve stages are run from a stabilised 150V DC power supply.
So whether it's your best microphone, your vintage Strat or your latest sample, don't trust it with anything less than the TL Audio 5050.

$5275 rp
Our Price $CALL
The new TL Audio VP-1 is the latest addition to the Valve Classics range, and combines all the best elements of the PA-1 pentode preamp, C-1 compressor and EQ-2 parametric equaliser to create a truly flexible and spectacular sounding valve front end for any audio system.
The VP-1 features seven valve stages, run from a stabilised 250v DC supply. The first stage is a Siemens EF86 pentode in the front end of the preamp, followed by six Sovtek ECC83/12AX7A stages - one in the secondary stage of the preamp, one in the compressor and four in the EQ section.

$3499 rp
Our Price $CALL
The TL Audio EQ-2 boasts two channels of fully parametric 4 band valve equalisation - which in conjunction with variable high and low cut filters offers unlimited control of any audio source. But that's not all - unlike many valve equalisers, the EQ-2 provides continuously variable frequency controls, so choice of frequency is not limited to switched selections. It also features a pair of the acclaimed TL Audio mic preamps (with phantom power), to enable high quality direct-to-tape microphone recording, and a pair of front panel auxiliary inputs enable a guitar or keyboard to directly access the EQ-2.

$3499 rp
Our Price $CALL
The TL Audio C-1 features a low noise solid state preamp followed by two valve stages per channel. The valves are General Electric ECC83/12AX7A types, run from a stabilised 250v DC power supply. The first valve stage acts as a voltage amp, with the second stage forming part of the gain control element. The gain control is performed by TL Audio's own unique transconductance stage which avoids the use of VCAs - thus improving transparency and minimising distortion, which is virtually constant at 0.05% over the full bandwidth. The frequency response of the C-1 is virtually flat between 20Hz and 40kHz, and measured between -3dB points, the C-1's bandwidth is a staggering 5Hz to 70kHz!

$2799 rp
Our Price $CALL
The TL Audio PA-1 Pentode Preamp is TL Audio's top of the range preamp - producing a stunning sound from any source - and offers a significant improvement over the vast majority of console preamps in any price range. The new PA-1 offers several improvements over its best selling forerunner, including a raven blue 6mm CNC milled aluminium front panel, General Electric US military specification ECC83/12AX7A valves, gold plated ceramic valve bases and circular back-lit VU meters which monitor output level. Internal circuitry has been refined too, to offer smoother frequency response around the valve stages and provide extra output gain - thus enabling easier interfacing with digital recorders.

M1 - 8 channel $7749 rp
M1 - 12 channel $10499 rp
Our Price $CALL
The TL Audio M1 enables you to capture that acclaimed warm, smooth and clean TL Audio sound at the lowest price point ever achieved on one of their desks! It is by no means compromised on quality to do this though. The M1 offers you quality valve mic preamps on each channel, 3 band musical EQ with sweepable mid on each channel, 2 auxillary sends per channel as well as effects returns and alternate monitoring options!


M4 - 16 channel $17599 rp
M4 - 24 channel $21199 rp
M4 - 32 channel $26399 rp
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The TL Audio M4 Tube Console is the perfect solution for the modern day studio. Anyone who has used or heard the TL Audio outboard equipment, will be familiar with its ability to create a warm, smooth, and clean sound that can inject wonderful ‘feel’ into your recordings.
The TL Audio acclaimed VTC console has also now been accepted as a great sounding must have in the professional recording environment, with many high profile users.


$POA
The VTC (Valve Technology Console) is a fully modular in-line multitrack mixer that offers all the benefits of the compact 8 buss / multiple tape output format but with the supreme advantage of TL Audio's critically acclaimed valve circuitry - which forms an integral part of the channel, monitor, group and master section signal paths. Available in configurations from 16 channels to 56 channels, with optional bar graph meterbridge, the VTC combines the classic warmth of valves with the functional demands of modern music production.
There are hundreds of consoles on the market. But none that sound, feel or look like this one. The VTC simply has no competition!
FOCUSRITE
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$449 rp
Our Price $CALL


Focusrite TrakMaster Pro, a professional microphone preamplifier/compressor, is the latest in Focusrite's Platinum Pro series and the company's most affordable recording channel strip to date. Providing performance specifications never before seen at this price point, TrakMaster Pro features a mic preamp derived from Focusrite's award-winning Green range, front panel DI, problem-solving mid-scoop EQ, intuitive optical compression, latency-free monitoring, and the Platinum Pro series ADC option.

$999 rp
Our Price $CALL


Focusrite TwinTrack Pro. Designed principally as an affordable, high-specification dual mono/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis.
Each channel features Focusrite's award-winning Platinum pre amp, embellished with the option of instant 'air' and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambience


$2795 rp
Our Price $CALL


The Platinum MixMaster is an analogue stereo audio processor designed primarily for project studio mastering. However, with so many useful features in one box, anyone involved in the business of making music will quickly find it indispensable at other stages of the recording process too.


$999 rp
Our Price $CALL


The Focusrite Voicemaster Pro award-winning Class A preamp captures every nuance from any source, whilst latency-free monitoring ensures direct and delay-free mix control. Tools such as the voice-optimised EQ, Vintage Harmonics and Tube Sound allow you to get creative with a touch of class, putting your own stamp on every recording. All of this, combined with the optional 24 bit, 96 kHz digital output board means that VoiceMaster Pro is the perfect interface between your microphone and your DAW or other recording media, placing the ultimate tracking solution firmly within your grasp.
DBX
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$1499 rp
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386 Dual Vacuum Tube Pre The Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx® Type IV™ conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats.
RME
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$1999 rp
Our Price $CALL
The RME QuadMic offers 4 balanced microphone and line inputs via Neutrik XLR/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter, and phase reversal. Amplification can be set between 10 and 60 dB. LEDs for signal, clip, and activated phantom power complete the list of features. The QuadMic offers a high-tech, state-of-the-art design - exactly what 'Made in Germany' is famous for. And if you believe that beauty lies within, take a look inside this outstanding unit, and you'll wonder how something so impressive could cost so little. Go ahead... look inside! You know you want to.

$6495 rp
Our Price $CALL
24-Bit/192kHz 8-channel Full Range Preamp & AD Converter
The newly designed RME Micstasy is a high-end analog input device for any kind of application, ranging from live and studio up to installation and no-compromise mobile recordings. The Micstasy defines a new generation of microphone preamps and AD converters!

$1999 rp
Our Price $CALL
The RME OctaMic offers 8 balanced XLR mic / line inputs. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 10 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status.

$2699 rp
Our Price $CALL
The RME OctaMic D includes the optional OctaMic ADC module, which can also be added to the OctaMic basic version later on. The ADC module adds 8 channels of pristine 192 kHz AD-conversion, available as double ADAT output (S/MUX, up to 96 kHz), and simultaneously via DB-25 connector as 4 AES outputs (up to 192 kHz). The ADC can be clocked internally (master), and externally via word clock and AES sync.
PRESONUS
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$275 rp
Our Price $CALL
The PreSonus TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules. The TubePre noticeably outperforms preamps in low cost mixers and recording interfaces making it an easy choice for anyone desiring to enhance their recordings with the magic of tubes.


$429 rp
Our Price $CALL


PreSonus BlueTUBE - Finally, a stereo tube preamplifier that fits everyone’s budget. The BlueTUBE provides amazing results for vocals, keyboards, acoustic, electric and bass guitars. The BlueTUBE’s output flexibility of both XLR and 1/4” TS jacks lets you send signals to both your amp and console simultaneously. The BlueTUBE also allows you to create a multitude of audio textures and characters by using the variable tube-drive circuit.


$1250 rp
Our Price $CALL
The PreSonus MP20 was designed to enhance the performance of any console or digital audio workstation by providing two very high-end microphone preamplifiers. The MP20 affords you an amazing choice for the front-end of any analog to digital converter. The MP20 was created utilizing the very best in design parameters and components with a friendly user interface.


$1250 rp
Our Price $CALL
The PreSonus Eureka is a professional recording channel strip containing a discrete class A transformer-coupled microphone preamplifier, compressor, and three-band parametric equalizer. The microphone preamplifier features variable input impedance so that the Eureka can be matched and "tuned" for all types of microphones and recording applications. The Class A transformer-coupled microphone preamplifier also features "SATURATE" which adjusts the drain current on the input FET amplifier to simulate of the effects of tape saturation and tube "warmth".


$3995 rp
Our Price $CALL


The PreSonus ADL 600 is a high voltage two-channel original microphone preamplifier designed by world-renown analog tube circuit designer Anthony DeMaria. The ADL 600 utilizes a unique high voltage, Class A discrete design with three vacuum tubes per channel for maximum headroom and tonality. The ADL 600 is built by hand in the USA by PreSonus and utilizes the finest components in the world including switched attenuators, military-grade vacuum tubes, analog VU and LED meters, custom-designed proprietary transformers, and the list goes on. No expenses are spared with the ADL 600 down to the last polypropylene film capacitor. The ADL 600 is big, warm, smooth, and clear; a sound like no other.
MINDPRINT
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$699 rp
Our Price $CALL


The MindPrint DI-PORT as a High-end Audio Card The DI-PORT’s primary purpose is to provide an outboard home to all analog components and AD/DA converters that normally reside in the interior of the computer’s casing. Use it in conjunction with a digital I/O card or the digital interfaces of quality soundcards, and you will end up with a true high-end audio card.
Connect the digital output of the DI-PORT to the digital input of your computer and the digital output of the computer to the digital input of the DI-PORT. In this setup, the DI-PORT serves as an outboard converter unit for your digital audio card.


$4499 rp
Our Price $CALL
Today the secret of "expensive" sound no longer lies in tape machines or costly mixing consoles. The key to unlocking the secret of sophisticated sound and getting top-notch tone in the can is translating all the intricacies of signals into the digital world. And that, in a nutshell, is what the new MindPrint® DTC™ does.
SM PRO
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$249 rp
Our Price $CALL


The new SM Pro "Red Valve" series TB101 valve (12AX7) mic pre-amp is a single channel valve mic preamplifier that features switchable phantom power, phase reverse, -20dB Pad, optical compressor, and fully functional EQ all housed together in a single 1/2U rack mount sized chassis.


$399 rp
Our Price $CALL


The new SM Pro "Red Valve" series TB202 valve (12AX7) mic pre-amp is a twin channel valve mic preamplifier that features independent switchable phantom power, phase reverse, -20dB Pad, optical compressor, and fully functional EQ all housed together in a single 1U rack mount chassis.

$299 rp
Our Price $CALL


The new PR8-E multi-channel mic/line preamp is the vanguard of the 'next-generation' in the SMPRO range. Using the latest components available and redesigned from the ground up, the PR8-E's carefully structured single circuit board design results is an exceptionally low noise pre-amp boasting a very high gain structure.


$699 rp
Our Price $CALL


The EP84 is the latest multi-channel microphone preamplifier from SM Pro Audio. Packed with quality features and connectivity options, this sturdy 2RU rack-mountable unit is designed to provide studio users with 8 channels of pristine microphone preamplification. The EP84 is the perfect front end for computer audio systems, stand-alone hard disk recorders, or just about any other analog or digital workstation.

BEHRINGER
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$499 rp
Our Price $CALL


The Behringer ADA8000 is a state-of-the art 8-channel A/D and D/A converter with 8 built-in IMP microphone preamplifiers. This ultra-compact 19" unit gives you the opportunity to connect analog audio signals directly to a multitrack recorder or similar equipment via the integrated ADAT® interface—and needs only one rack space for this purpose! In return, you can even connect the digital signal of a multitracker via ADAT® to the eight analog line outputs of your ADA8000.